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Don’t call Gary Baseman’s “The Door Is Always Open” a retrospective because it’s more than that. Yesterday was the first day people could quite literally immerse themselves in Gary’s world. Inspired by his childhood home, “The Door Is Always Open” is a large-scale installation featuring a collection of Gary’s fine art, illustration, animation, performance and toy design.

Last night Gary kicked off the launch of “The Door Is Always Open” with an aptly named “house party”. The evening featured a cast of his characters, a DJ set by artist Shepard Fairey (who he did the Partisan print collaboration with), live music by Nightmare and the Cat, art making, piñata-breaking, and more.

“The Door Is Always Open” runs through August 18th so you’ve got plenty of time to check it out!


The Door Is Always Open, 2012, Acrylic on canvas, 24 x 18 inches



“The Door Is Always Open” by Gary Baseman available via Rizzoli



Shepard Fairey x Gary Baseman Partisan Print


For more information:
Skirball Cultural Center
Gary Baseman: The Door Is Always Open
April 25th - August 18th, 2013


Jeff Soto is a Los Angeles based artist whose illustrations are a cross between Pop Surrealism and Street Art. The depth of color and frightening yet fantastical subject matter makes his work truly captivating. Jeff's work is part rooted in myth and part rooted in reality, successfully creating a world where hopes, fears and dreams intersect. Recurring characters are futurist robots, sculls, machines with egg-shaped capsules, and mystical creatures in pastoral settings.

Jeff has exhibited in galleries and museums around the world and is one of the featured speakers at this year's Pictoplasma Conference in Berlin. If you're unfamiliar, Pictoplasma is the world’s "Über-Festival of contemporary visual culture" and includes a good smattering of conference lectures and curated animation screenings.











Pictoplasma Berlin
April 11-13th, 2013
Denicke & Thaler GbR
Reinickendorfer Strasse 17
13347 Berlin
Germany

For more information on Pictoplasma please contact: hello@pictoplasma.com

Josh Legg // Goldroom

By Nancy Lu

I first met Josh Legg, aka Goldroom, on Facebook in October of 2011. It would be almost another year before we met face-to-face when he played a set at Hudson Terrace in New York City. It's strange to think that someone who started off as an online acquaintance has become one of my close friends, but it's something that I appreciate everyday.

I am constantly in awe of Josh because he has managed his career and relationships in such a way that achieving success was never a question. Josh also has always had the foresight to anticipate movements in the music industry while at the same time remaining true to his Los Angeles roots. Sunshine, beaches, Micheladas and summertime are all consistently used words to describe Goldroom tracks. Songs like “Fifteen” color the leaves of California's palm trees while "Sweetness Alive" is the perfect companion to watching the sun set over the Pacific Ocean.





These gorgeous tracks have established Josh as a serious artist and now everyone is listening. Goldroom has become a regular fixture on music sites around the world and his songs easily get 100K plays or more. His latest single "Only You Can Show Me" cries out summer romance. Whether you have a special someone or not, listening to this track will make you want to fall in love and as of today almost 150K listeners have said yes to Goldroom.



These last two years I've gotten to see Josh grow as an artist and I feel a little bit like a proud parent. From remixing Penguin Prison to now launching a 13-date North American tour, Josh continues to challenge himself and challenge people's expectations of what Goldroom is and can be. Recently Josh transitioned Goldroom from DJ sets to a live three-piece band and the shows have been met with unanimously positive reviews. It's impossible to say what the future holds but one thing is certain - Goldroom is here to stay and with it the City of Angels lives forever.



Gerald is not your ordinary dog. Gerald was born in 2008 as part of a rebrand for British design studio Lazerian and came as nine easy to assemble paper panels. Starting in 2011, hundreds of Geralds were shipped to artists’ studios all over the world with the only instruction for creatives being to put their own spin on it. Now all 100+ Geralds have been wrangled and can be seen together for the first time in NYC starting in May. B&A artists Jimi Crayon, Kai & Sunny, Simon Spilsbury, Stan Chow, and Tatiana Arocha will all have their very own Gerald on display at the exhibit. The exhibition will run from May 17-19th with a special preview on Thursday the 16th in New York City.

Jimi Crayon’s Gerald (pictured above) is aptly titled “The Universe, flys, diamonds, rocks and paint”. Here’s what he had to say about his creation: “I like to work across any and all mediums. I decided to bombard my Gerald with everything I was working on at the time to capture some real energy and variety. I worked across a flattened Gerald randomly placing my imagery across the cuts and folds with little thought, meaning the piece could take on a life of its own during construction. I didn’t really know how it would look until I saw the finished dog.”



Kai & Sunny: “Flower”
“Sunny and I were amazed by the structure of the Gerald Dogs so when asked to be involved it was a definite yes. The large Gerald has so many platforms and angles our flower print felt like the correct piece. Our line work fitted the various platforms perfectly. For us to see our 2D print 3D was very exciting. We were thrilled with the result.”




Simon Spilsbury: Dogod 01 & Dogod 02

About Dogod 01:
“You don’t get to draw on an origami dog very often, so that was inspiring enough. This was experimental and painted after construction so was a bit suck it and see. I have a spontaneous, impatient style and it was a test not to stamp on the damn thing when it started bending in my grip as I wrestled with its planes and angles. I used spray paint and stencils to start, adding character detail later. I think I painted it out twice and started again before settling with the madness you see in front of you.”

Limited Edition of 500 Buy Here

About Dogod 02:
“This was drawn onto template. An altogether easier task than manoeuvring brushes and pens around the constructed version. I adopted my BuiltByPeople amorphous characters, laid down on a sprayed background.”

Limited Edition of 500 Buy Here



Stan Chow: Pink Tulips
“When I first saw the actual model, the first thing I did was to give it cartoon eyes and pair of wings. This is what naturally comes first when I doodle. I tried it and I thought it would have looked like I was taking this project seriously. Ultimately I just wanted to do something simple and elegant, as that’s how I want most my work to look, so I decided on a repeat flower pattern.”

Limited Edition of 500 Buy Here



Tatiana Arocha: Don’t Stay Too Long in the Woods
“I love the process of illustrating, losing all sense of time while imagining entire worlds down to the finest detail. I want people to fully immerse themselves in my images discover something new with every viewing.”

Limited Edition of 500 Buy Here

Exhibition Details:
Gerald and James Exhibition, New York
Curated by Liam Hopkins. Presented by LAZERIAN in partnership with James Cropper
Friday 17 – Sunday 19 May 2012, 10AM – 5PM daily (preview Thursday 16 May, 6:30PM)
60 READE STREET, NEW YORK, NY 10007
Mitra Tabrizian - City, London 2008 Type C photograph on paper Edition of 5 48 x 98.5 in / 122 x 250 cm
Mitra Tabrizian - Tehran 2006, 2006 Type C photograph on paper Edition of 5

Mitra Tabrizian’s exhibition of photographs at Leila Heller gallery is a series of stark formal compositions of people displaced within their environments, disengaged or trapped in contemplation.

Born in Tehran, Iran, Tabrizian lives in London and is familiar with the diaspora of Iranians living in exile, some of whom cannot return to their homelands – but identify with and share in a common virtual community.

Tabrizian likes to photograph her subjects in their isolation, lost in transitional spaces, at stations, within derelict and abandoned settings that emphasize their migrant status as economic and social outsiders. Often they seem caught in a tableau or arrested motion, in a protracted frozen moment.

A photograph taken at JP Morgan bank’s lobby during the height of the financial crises, depicts the bank’s associates with a sense of disconnection staring into the middle distance, each an island to themselves. Tabrizian has used actors in staged settings for her past works, but in this case she has used the actual bank’s employees to reflect the corporate culture which she reconstructs in her own view as a ‘cold and flat’ mise-en-scène.

Mitra Tabrizian - Lost Time Series 2002 Type C photograph on paper Edition of 5 48 x 60 in / 122 x 152 cm

Mitra Tabrizian, Lost Station 2003-2004 (Perfect Crime Series) Type C photograph on paper Edition of 5 48 x 60 in / 122 x 152 cm

Mitra Tabrizian - Leicestershire 2012, 2012 C-type photographic print 62 x 48 in / 158.5 x 122 cm Edition of 5, 2 APs

Mitra Tabrizian - Leicestershire 2012, 2012 C-type photographic print 71 x 48 in / 181.5 x 12 2cm Edition of 5, 2 APs

Mitra Tabrizian - Leicestershire 2012, 2012 C-type photographic print 61 x 48 / 156 x 122 cm Edition of 5, 2 APs

Mitra Tabrizian - Untitled 2009 (Printed 2010) Type C photograph on paper Edition of 5 50 x 116.5 in / 127 x 296 cm


For more information:
Leila Heller Gallery - Mitra Tabrizian Photographs June 7 – July 7, 2012

Mitra Tabrizian